Chroma key compositing or green screen is a process for compositing a pair of images or frames with each other wherein a green color is taken away, unveiling another image behind it. This method is also called color keying and frequently uses a specific shade of green or blue. These colors would be the furthest away from skin tone that regardless of ethnic background, are very different contrasts of pink. As outlined by Wikipedia, green is presently applied as a backdrop more than any other color because image sensors in digital video cameras usually are most sensitive to green. The magic occurs in the video editing software program as it looks for the particular shade of green as well as replaces it with the desired backdrop.
The purity of the green screen color is another important issue. In case the green screen lacks purity of color, the resulting matte is going to forfeit fine-edge details like hair. Make sure to make use of fabrics as well as paints that are particularly made for green screen shots. While it helps to use colored lights or gels, be aware that they don't glow on the talent as this will put serious green spill problems during compositing. As soon as the green screen lighting is set properly, its lights can be switched off and the lights for the talent switched on. This is to ensure that the talent's light will not contaminate the green screen and that the talent is lit for the supposed setting they will be composited into.
A lot of green screen shots are part of a match move sequence in which the green screen layer has to be motion tracked during compositing to move it with the background. Tracking markers are put on the green screen. The color of the tracking markers is not significant as they could easily be keyed, painted, or rot scoped out, but their size and shape is significant.
When shooting green screens with video, the initial rule will be to turn off the video camera's edge sharpening attribute. All camcorders have this function, called sharpness or detail or some other name, which is intended to make the picture look sharper than the camera really captures. The dilemma is that this sharpening really adds edge artifacts that would seriously degrade the composite. The picture could be sharpened during compositing. Combining these lower color sampling digital cameras with the normal picture compression which all current cameras are now using creates an image that produces very poor quality composites.
In choosing the proper Los Angeles green screen studio you have to be positive that the color is entirely uniform as well as the surface completely flat. The screen also has to have the suitable dimensions. It is recommended that you go through every single shot you want and after that estimate the screen area so you have the correct dimensions. Make allowance for a little additional in the event you want to dilate or frame the shot more than you had visualized. Examine the area on each side of the screen to make sure that there's ample room to position your lights. Finally, get the most possible space between your characters or props and the screen itself. This would make the job of lighting a lot easier.
The purity of the green screen color is another important issue. In case the green screen lacks purity of color, the resulting matte is going to forfeit fine-edge details like hair. Make sure to make use of fabrics as well as paints that are particularly made for green screen shots. While it helps to use colored lights or gels, be aware that they don't glow on the talent as this will put serious green spill problems during compositing. As soon as the green screen lighting is set properly, its lights can be switched off and the lights for the talent switched on. This is to ensure that the talent's light will not contaminate the green screen and that the talent is lit for the supposed setting they will be composited into.
A lot of green screen shots are part of a match move sequence in which the green screen layer has to be motion tracked during compositing to move it with the background. Tracking markers are put on the green screen. The color of the tracking markers is not significant as they could easily be keyed, painted, or rot scoped out, but their size and shape is significant.
When shooting green screens with video, the initial rule will be to turn off the video camera's edge sharpening attribute. All camcorders have this function, called sharpness or detail or some other name, which is intended to make the picture look sharper than the camera really captures. The dilemma is that this sharpening really adds edge artifacts that would seriously degrade the composite. The picture could be sharpened during compositing. Combining these lower color sampling digital cameras with the normal picture compression which all current cameras are now using creates an image that produces very poor quality composites.
In choosing the proper Los Angeles green screen studio you have to be positive that the color is entirely uniform as well as the surface completely flat. The screen also has to have the suitable dimensions. It is recommended that you go through every single shot you want and after that estimate the screen area so you have the correct dimensions. Make allowance for a little additional in the event you want to dilate or frame the shot more than you had visualized. Examine the area on each side of the screen to make sure that there's ample room to position your lights. Finally, get the most possible space between your characters or props and the screen itself. This would make the job of lighting a lot easier.
About the Author:
There are so many other websites offering a variety of forms of advice on how to use green screen but a lot of them are not very detailed or concise. Before following these, make sure to check my own articles and reviews on Green Screen Studio Los Angeles and Green Screen Studio.
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